The term **"Reality TV"** primarily refers to a genre of television programming specializing in purportedly unscripted content that documents real-life situations, often featuring ordinary people instead of professional actors. However, the phrase "Reality TV" can also be used to describe the organizations or production companies that create such content, which is the focus here. A **Reality TV production company** is an organization that manages the entire process of creating unscripted entertainment, from concept development through filming and post-production to distribution. These companies produce a wide range of reality genres, including competition shows (e.g., *Survivor*, *The Voice*), documentary-style reality (e.g., *Keeping Up with the Kardashians*), makeover and lifestyle programs (e.g., *Queer Eye*), and hidden camera or prank shows (e.g., *Punk’d*). They collaborate closely with broadcasters, streaming platforms, and distributors to deliver engaging, high-revenue content globally[1]. Historically, reality TV emerged as a distinct genre in the early 1990s with series like *The Real World* and became a dominant entertainment form by the 2000s with hits such as *Survivor* and *Big Brother*, which developed into international franchises[4]. The genre's hallmark is the capturing of real-time events with minimal scripting, often using confessionals and real-life settings to generate drama and viewer engagement[3][6]. Key achievements of reality TV production companies include transforming television economics by offering lower-cost alternatives to scripted shows—due to fewer unionized staff and the absence of professional actors—while still attracting large audiences and advertising revenue. This cost efficiency has led to rapid growth and oversaturation of reality content in the media landscape[1][5]. Currently, the reality TV industry faces challenges such as labor organization struggles, with guilds like the Writers Guild of America and Directors Guild of America pushing for better representation and working conditions for reality TV crews. Despite these issues,